Chance Mulrony
the guy that says "What was that?" when something crazy happens
Highlight Bits & Quotes
10IMDb Star Meters and Local Hires
The actors share their credits, ranging from 'Dentist 3' on Grey's Anatomy to a 'neighbor waiter' on Mike & Molly. Chance reveals he is a local hire out of Albuquerque who specializes in saying 'What was that?'
"I'm a local hire out of Albuquerque."
"I was a neighbor and I said, 'Here is your mail.' So like a waiter, but a neighbor waiter."
"I asked Leo DiCaprio if he wanted his top off."
The Albuquerque SAG (ASAG) Experience
Chance Mulrony describes the unique benefits of the Albuquerque SAG union, including casino vouchers, breakfast burritos, and 'dust mitigation' insurance, while revealing he was once slapped by Philip Seymour Hoffman.
"I'm part of the Albuquerque zag. ASAG."
"We get sunburn insurance and we get dust mitigation."
"My ASAG number is four. I'm number four."
The Hell of Monologue Monday
Cole and Ana explain the grueling social media schedule for modern actors, including Self-Tape Tuesday and the mysterious Free-Day Friday, which Chance completely fails to understand.
"You guys don't know the hell that is monologue Monday."
"Friday's a free day but you have to post free day."
"Usually I'm getting hit up by people that support Trump and just comment use kind of my videos to use it almost as a pulpit."
The 'Here's Your Steak' Masterclass
Cole challenges the group to demonstrate their process for the line 'Here's your steak.' Ana reveals her secondhand training via her mother's GoPro, while Franco describes walking on bricks to simulate waitress fatigue.
"I'll say 'cut' when I'm doing the process and 'action' when I'm doing the actual performance."
"My mother goes to Leslie Kahn and then she reports back to me."
Yearbook Plagiarism and the Farm Monologue
Ana reveals her hobby of picking random women from old yearbooks and 'plagiarizing' their lives, leading to a dramatic monologue about wanting to leave a farm.
"I feel like I am plagiarizing from these women because I know their story so deeply."
"Mother please let me off this farm. I want to go. I want to leave."
Ageism and the Princess Age Range
Ana laments that she is too old to play a princess at 25, while Franco is physically pained by the sexual tension between the younger actors.
"Leslie Khan told my mom that her age range is probably like 40 and above."
"He's imagining you two having sex I can't do it."
Chance's Bidding War and Cold Eggs
Chance reveals he is in a bidding war for a Timothy Olyphant project via his sbcglobal.net email, while fearing his wife Stacy's 'cold egg' punishment.
"She's gonna cook me cold eggs for three weeks every time."
"I'm going through my sbcglobal.net account trying to figure out oh do I do this movie."
The Real Estate Pivot and Final Sign-Off
Ana reveals her manager became a real estate agent as the panel concludes their discussion on why they call it 'Show Biz.'
"My manager just became a real estate agent so that's where I'm at."
"Good night Hollywood."
The 'Here's Your Steak' Masterclass (Part 2)
Cole challenges the group to demonstrate their process for the line 'Here's your steak.' Ana reveals her secondhand training via her mother's GoPro, while Franco describes walking on bricks to simulate waitress fatigue.
"I would tie bricks that I get from my neighbor's yard to my feet."
The Art of the One-Line Waiter
Four actors who specialize in 'co-star' roles—specifically waiters with exactly one line—gather to discuss the profound artistic weight of being 'living furniture' for stars like Leonardo DiCaprio.
"A good co-star isn't invisible, I'd say, but I'd say is barely there so that Leo DiCaprio can be there."
"We're living furniture, you know what I mean? In so many words."
"One line is the most powerful thing you could do."