Known from: Dropout.
The panel introduces three sets of brother directing duos: the Mitchells (sci-fi creature features), the Bambis (prestige drama), and the Jorgenson-Gintys (indie arthouse).
"I'm Salmon Jorgenson-Ginty. This is my little baby brother."
"We are responsible for a lot of sci-fi original programming. We made Tarantula Hurricane."
Salmon Jorgenson-Ginty reveals he is only ten years old, leading to a discussion about his dark, visceral arthouse films like 'The Color of What' which he directed at age seven.
"I'm ten. Double digits club, very recent."
"I just remember such a visceral sex scene in that movie."
Alex explains his 'kind' dating strategy which involves slipping his phone number into a woman's tote bag at a farmers market without ever speaking to her, while Salmon reveals Alex was kicked off Raya for a movie-related caption.
"I'm not speaking to her because I don't want to infringe on her space or her time, and so I'm just going to put my number in there."
Tex and Rex describe their middle school strategy of talking to 'hot moms' in carpool lines using a tag-team method because they learned everything, including social interaction, as a duo.
"I would go up and be like, 'Hey lady, looking good today,' and then tag in."
The Bambi brothers describe their aggressive set management style, which involves Tex 'Eiffel Towering' the crew members in the bathroom while Rex handles the actors.
"Tex Bambi's getting it in the stall. So you shut the fuck up and you do the fuck lines, buddy."
Salmon reveals he is only ten years old and recently joined the 'double digits club,' having directed his first Slamdance film at age nine. He insists he no longer takes nap times.
"People kind of like, they react positively when I say how old I am, so I kind of like saying it. I'm ten."
The Mitchells describe their ambitious Flamingo Rockslide trilogy, which involves bringing back a CGI Carrie Fisher and negotiating with her estate on how 'dead' they can show her.
"We are currently working with the estate about how dead we can show an already dead person, but we are pushing for full death."
The Jorgenson-Ginty brothers pitch a noir thriller follow-up to Babe the pig titled 'The Babe Who Killed Me,' leading to a discussion about the intelligence of pigs on set.
"I don't know who was directing the movie at a certain point. Whether it was me or whether it was the pig."
Salmon reveals he is only ten years old and discusses his 'visceral' arthouse films, including a decapitation scene in 'The Color of What' that he co-wrote at age seven.
